Jawaani Jaaneman| OLE OLE 2.0 Lyrics -Amit Mishra

OLE OLE 2.0 Lyrics

OLE OLE 2.0 Lyrics in Hindi song from the Youtube release full song on Jan 30, 2020 from the upcoming movie Jawaani Jaaneman starring Saif Ali Khan, Tabu, Alaya F. This remake is sung by Amit Mishra, music given by Tanishk Bagchi & lyrics penned by Shabbir Ahmed. Original Song Credits goes to Singers Abhijeet and Music Director Dilip Sen-Sameer.

OLE OLE 2.0 Lyrics in hind

Song credits

Singers: Amit Mishra
Music: Tanishk Bagchi
Lyrics: Shabbir Ahmed
Programmed and Arranged by: Tanishk Bagchi
Mixed and Mastered: Eric Pillai at Future Sound Of Bombay
Mix Assistant Engineers: Michael Edwin Pillai
Dubbing Coordinator: Chayan Rio Ghosh
Recorded At: AMV studios by Rahul Sharma

OLE OLE 2.0 Lyrics in English

Dekha Jo Baby Tera Nakhra
Toh Dil Yeh Bole
Ole Ole
Ole Ole
Nakhra Lage Hai Total Wakhra
Toh Dil Yeh Bole
Ole Ole
Ole Ole

Mujhko Lubhati Hai Jawaniyaan
Masti Lutati Zindaganiyaan
Maane Naa Kehna Mera
Dil Chaahe Bas Tera Ho Le
Ole Ole Ole
Ole Ole Ole

Jab Bhi Koi Ladki Dekhoon Meri Dil Deewana Bole
Ole Ole Ole
Ole Ole Ole
Gaon Tarana Yaara
Jhoom Jhoom Ke Haule Haule
Ole Ole Ole
Ole Ole Ole

Teri Neeli Neeli Aankhen
Karti Hai Mujhe Ishaare
Ole Ole
Ole Ole
Teri Neeli Neeli Aankhen
Karti Hai Mujhe Ishaare
Checkout Tujhe Karte Hain
Yeh Club Ke Ladke Saare

Ziddhi Hai Dil Yeh Mera
Tujhe Paake Hi Rehega
Bas Chhod Ke Saare Hangup
Meri Baaton Mein Tu Aare

Aise Karoon Main Manmaniyaan
Acchi Lage Meri Shaitaniyaan
Dekha Tujhe Toh Chalti
Saansein Meri Haule Haule
Ole Ole Ole
Ole Ole Ole

Jab Bhi Koi Ladki Dekhoon
Mera Dil Deewana Bole
Ole Ole Ole
Ole Ole Ole
Swag Wahi Purana
Phir Se Dil Dewaana Bole
Ole Ole Ole
Ole Ole Ole

OLE OLE 2.0 Lyrics in Hindi

जब भी कोई लड़की देखूँ
मेरा दिल दीवाना बोले
ओले-ओले-ओले ओले-ओले-ओले
गाऊँ ताराना यारा
झूम-झूम के हौले-हौले
ओले-ओले-ओले ओले-ओले-ओले
मुझको लुभाती हैं जवानियाँ
मस्ती लुटाती ज़िन्दगानियाँ
माने ना कहना पागल मस्त पवन-सा दिल ये डोले
ओले-ओले…

कोई माने या ना माने, मैं हूँ आशिक़ आवारा
मैं सौदाई दीवाना, मुझको चाहत ने मारा
ये चिकने-चिकने चेहरे, ये गोरी-गोरी बाहें
बेचैन मुझे करती हैं, ये चंचल शोख अदायें
मुझको मिली हैं ये बेचैनियाँ
लिखूँ खयालों में कहानियाँ
देखूँ जहाँ कोई शम्मा, संग उसी के होले-होले
ओले-ओले…

मैं तो डूबा रहता हूँ, यादों की रंगरलियों में
मेरे सपनों का घर है, महबूबा की गलियों में
दीदार जो हो परियों का, मैं बेकाबू हो जाऊँ
रंगीन लगे ये दुनिया, मैं ख़्वाबों में खो जाऊँ
माँगूँ हसीनों से निशानियाँ
बहके शबाबों की ये रवानियाँ
हुस्न का जलवा मेरी इन आँखों का पर्दा खोले
ओले-ओले…

For more Lyrics click here

About the movie – Jawaani Jaaneman

Jawani Jaaneman’, made under the bearing of Nitin Kakkar, is an account of changing benchmarks of connections in the public arena. You can consider it an adolescent driven film. To legitimize the cutting edge type of the relationship found right now, the executive has demonstrated a feeling of picking a remote foundation with indigenous characters.

Story: 40-year-old Jaswinder Singh otherwise known as Jazz (Saif Ali Khan) is Dilfenk, a runaway from the responsibilities. He thinks about marriage, kids and his duty as the most significant deterrent to his opportunity. This is the motivation behind why, despite being guardians and brother by marriage, he stays alone. Jazz, an agent, invests a ton of energy in the club drinking liquor and going through evenings with new young ladies. He is glad inside and out in his life, yet then comes a 21-year-old young lady named Tia (Alaya Furniturewala) in his life. Like different young ladies, he needs to play with Tia too; however, is lost when she discovers that Tia is his girl and is pregnant without marriage. Will he indeed resuscitate Jazz’s past as he attempts to dispose of Tia to get away from the duty? How he fled from the obligation of turning into a dad, will he currently betray his girl and her future youngster? To know this, you need to watch the film.

Audit: The tale of Nitin Kakkar, who has coordinated movies like ‘Filmistan’ and ‘Companions’, is current; however, there is a novelty in it. They go directly to the primary concern of the story without investing energy setting up the characters — the story sprints in the first half. However, the tale dulls after the interim in the subsequent half. Nonetheless, the appearance of new characters brings some freshness. The film figures out how to chuckle in numerous parts. The peak appears to be unsurprising. However, fortunately, it doesn’t have acting. The characters see streaming in the progression of the story without being befuddled about good and evil. There are numerous arrangers in the film. However, the music has gotten normal.

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